The Re-emergence of Johnson Through the Cloak of Cancer

This is the first piece of writing I’ve done in goodness only knows how long. The last piece I posted here is of my interactions with the wonderful Robert Johnson. And I’m becoming aware that a theme we talked about way back then is re-emerging now. 

As my clients are only too aware, I was diagnosed with a cancer in November 2024, and consequently put my practice on pause at the end of that month to attend all the doctors appointments and lean fully into healing, learning, and god willing, recovering. A diagnosis like this upends everything. Maybe it’s just bad luck, but I find I’m just not capable of subscribing to that way of thinking. I cannot help but ask, there is an environment, an atmosphere, within me that has cultivated a cross-wiring of cells, and what has lead to this? The body keeps the score, as someone once said (wink, wink). And this proliferation of little vampires who are nothing but a voracious appetite (nod to the new Egger’s Nosferatu movie), I cannot imagine come out of nowhere. So I put my practice on hold and for the first time in two decades, really slow down and acknowledge, I don’t have all the answers. It’s a way of putting up my hands and saying to the universe, “I don’t know, and I am now open to any and all forms of assistance!” An immediately, I realize I've been given assistance all along! Only I haven’t perhaps really listened or taken it to heart (we humans are fools, aren’t we? always needing to learn the hard way). 

In the last entry, I mentioned the dream I brought to Robert. It concerned the imminent slaughter of domesticated animals and Robert was not hesitant to give me a sharp warning.  I wrote in my notebook, “I told him my dream from this morning - animals on a farm - being hurt and abused - were trapped in tight maze-like fences. He was very concerned with the dream.” Animals as images often imply our instinctual nature, but in this case, being domesticated farm animals, the emphasis may be on care. There must be a farmer and those who watch out for, feed, and nurture, the animals. In this dream, clearly something was out of sorts. An inhuman maze, a forcing, even death at the end of that maze. Is this the “atmosphere” that has cultivated a cancer? 

Robert said I’m stronger than him; but maybe not in a good way. I could tolerate more, put up with more without allowing myself to feel into the pain of who or what I was actually hurting inside of myself. A blindness that got me through grad school! That allowed me to dive into the whole new strange culture of Japan. And allowed me to be forever so strong in what was ultimately a misconstrued and lonely marriage. I unwittingly forced those poor, dear animals into that maze, thinking I was doing the noble thing, yet lacking the compassion or the maturity to look at what was really happening within. 

Something jumped out at me the other day, precipitated by a synchronicity. A client had some time ago recommend a book by the author, Michael Ende, who wrote the novel, The Never Ending Story which was my childhood favorite. This recommended book is called Momo, and once I ordered it, once it arrived, once I cracked it open to read together with my son, it struck me like things do that we must pay attention to. It was a reminder of the help I’ve been given from the beginning but could neither fully understand nor put into action.

In brief, Momo is a ragamuffin girl, an orphan, who’s gift in life is to be able to really listen. She innately knows how to make space and time for all those around her. She nurtures. In a sense, she is Fantasia that we see in The Never Ending Story. The space of the imaginal, the space of being, of allowing. Anything! At least, anything that says Yes to life, to wonder, no matter how small, nor strange. She is a farmer who knows how to honor and care for the beasts on her farm. My dear Momo. 

And so in this process of questioning, of asking, I take Robert’s hand once again. I take my grandfather’s hand too. I take the hands of the guides and friends in that realm of “Fantasia” that is always there within us. I am slowly teaching myself, step by step how exactly to make space and honor these beautiful forces, beings, ideas (words don’t quite fit here). 

So there is this reckoning now in my life. I don’t know how things will play out, or where this path will now lead. But I will keep practicing listening, listening, listening. 

A Meeting with Robert A. Johnson

April 30, 2011 was my last meeting with the Jungian analyst Robert Johnson, the author of the misleadingly simple books, He, She, We, and Inner Work, among others. We were introduced a couple years before by my clinical supervisor, Dr. George Nicastro. I returned again, this time alone, to meet Robert at his home. After leaving, I quickly jotted down the “minutes” of our talk which I have transcribed below. It was a special and unique experience to meet and spend time with a man who is a true national treasure. I wanted to share this experience, at least to some degree, by writing about it here. 

It is Robert’s custom to serve tea to guests (“by the 5th cup, the conversation starts getting really interesting,” as Dr. Nicastro reports Robert saying). British style -  loose leaf in a large porcelain teapot. We sat in two simple chairs in the center of the living room, separated by a small round table where the tea tray is usually set. Before sitting down, he took me over to the large windows in his open apartment, pointing out  a strange device he had found in India. He explained, “time is measured in inches in India.” We burned one inch of a coiled candle that represented 4 minutes (if I remember correctly). We then sat down and chatted for a bit over two hours. 

His apartment has the peculiar feel of a monks cell. It is plain, without the usual sofa, dining table, or TV. Rather, there are three very old harpsichords. He had made a beautiful inlay design in one, representing a mandala. There is a long, shallow table at the far end against the wall, on which lie many, many oddities, mostly collected from India, including the time keeper. There is also a larger table, under the wide windows that look out over the town, suspension bridge, and ocean. There is an air of quietness, grace, and beauty here. Essentially, it is a space poised between the resonating sounds of the harpsichords and the infinite vista where the setting sun meets the ocean. Being in this simple space - a regular apartment building in San Diego, California - the feeling of Arvo Part’s music comes to mind. There is a sense of stillness, gentleness, and depth of feeling, that is similar in Robert’s home, writings, and person. 

The “Minutes”: 

  • Jung’s main point was to be true to yourself. True to your psychological type. Marie-Louise Von Franz (close friend of Robert’s), at the end of her life, said to him “I’ve done it all wrong” - she realized she had lived her life through Jung. 

  • Robert said I know how to be in the world - that I am stronger than him - and that now I can turn inward. 

  • He told me the story of his most recent book, Inner Gold. That a young man with a publishing company in Hawaii was going bankrupt. He gathered scraps of Robert’s unpublished writings and lectures. Robert agreed to have them published and this saved the publishing business. 

  • Robert never was able to write. All his books were recorded from lectures that he has given. 

  • I told him my dream from this morning - animals on a farm - being hurt and abused - were trapped in tight maze-like fences. He was very concerned with the dream. He took it very seriously. He mentioned he didn’t know if the dream was speaking of inward or outward processes, but to pay attention to the animal side within me. “Civil” of civilization means “straight line”. This allows a lot to happen (technology, institutions, …), but also cuts so much off. He said, “I suspect getting your degree has had yourself cut off very much,” and perhaps the reason why the dream speaks now. Perhaps the psyche knew it would be listened to, knowing I was seeing Robert (someone who knows how to listen to the communications of the psyche) this day. 

  • He emphasized to me, prefacing it with “this will likely sound strange, but …” when we meet in 50 years, and we are sitting facing each other again, he does not want to see a broken person. Pay attention to the animal side. Remain human. 

  • He told me of his recently going to seeing doctors. Of 5 or six he met with, only one saw him as a person. This makes him very sad and worried about fate of humans.

  • He said he had been a good therapist. I asked what made him one. He replied that he listens and genuinely cares for his client’s well being. “We’ve been trying to make psychology into a science. But psychology is an art.”

  • Recently he’s been realizing how important having a supportive wife is. It can make all the difference in a man’s life. 

  • When leaving, he said to call on him if I ever need anything. I said the same back to him. He said “You’re doing it already,” meaning (as I interpreted it), by working in my own small way to be true to myself, to add meaningfully to humanity, to do our work - what we are meant to do, and do it well. 

  • He, I feel, really does not think we are going to survive as a civilization. He said, “Civilization was a good experiment.” Both times I have met with him, he asked me at the end what I thought the future held. I told him my optimistic perspective, he seems to want to believe it will all work out, but he is deeply concerned with our fate. 

  • Recounting a conversation he had with Jung: “The most important element in a man is the Anima. And the most important in a woman is the Animus.” 

What stands out from our encounter was Robert’s ability to see beyond the immediate circumstances, or the sporadic bits of information that I brought in, and really felt into the undercurrents of my situation as well as our society’s. My strongest impression was just how deeply he felt with his heart. It was like he both held all the weight of the world - all of its sadness and pain - but at the same time exuded a peacefulness and joy. It’s hard to put this experience into words. Though a part of me hesitates to say it, I feel he is the most holy person I have met. Perhaps a better phrase is fully human.  We all need models in our lives. How to live, how deal with harrowing situations, how to mourn, how to embrace our own and the worlds contradictions. To see and feel - in a visceral way - what is possible as a human being, is a gift.     

Rest in peace, Robert. See you in about 40 years.

On Art, Bob Dylan, and Jung’s New Myth for Modern Persons

Bob Dylan had just moved to Greenwich Village and was beginning to be recognized at a talented young folk musician as Carl Jung’s final days approached in the summer of 1961.  I had always wished Jung had lived long enough to write one short essay or letter on the phenomenon of Bob Dylan.  This would not have been unfamiliar territory for him: he had written on James Joyce, Picasso, and even flying saucers, and Bob Dylan seemed to catch the cultural imagination not unlike the saucers had a decade earlier.

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A Review of Psychological Theories of the Origins and Aims of Creativity

(An excerpt from my dissertation) 

We laymen have always wondered greatly – like the cardinal who put the question to Ariosto – how that strange being, the poet, comes by his material.

                            – Freud 

    More than a few theories in the past century of psychological inquiry have emerged in response to the same wondering Freud expressed. While non can claim absolute authority, the studies and clinical observations that have led to diverse and divergent theories of creativity, put together, seem to suggest that there is not just a single origin of creativity, but rather, several coexisting processes, notwithstanding the fact that each theorist has emphasized one

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The Making of Artists: Processes of Development

(An excerpt from my dissertation - I interviewed 6 professional artists, and after identifying individual and common themes, boiled down the findings into a description of the life development of "the artist".)

Beginning with an inherent drive of creativity and curiosity, the child artist receives enough support from the parents (at least in some creative areas of their life) for the seed of creativity to grow. In addition, the young artist’s proclivity for being alone for extended periods of time and their self-reliance and joy in trial and error learning fosters the development of skills as well as ways of thinking that allows creativity a central role in their life as the artist moves into

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First a question, then a lifetime of small steps

(An excerpt from Colin's dissertation, "To Own the Art Within the Soul: A Study of the Development of Creative Voice in Professional Artists".)

Being fascinated by certain artworks by master artists, I have over the years gathered bits of information from their personal statements. One result of this informal research is a presupposition regarding the lifelong working process of mature artists. I see that the masterful artist’s special skill comes not from utilizing different cognitive processes or ways of approaching

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